By Carmela Brunetti, Art On World, February 27, 2022

Lady Criminal’s is an art project, created by Camille Ross, which is part of the trilogy dedicated to the photographic elaboration of of the female figure portrayed by Selfies and transformed with Avatars into a feminine universe all to be rediscovered. Camille Ross projects us into a photographic language with an introspective character to explore. The visual journey we present in this publication is original, in some ways disturbing, because the choice to interpret the faces of America’s female criminals is not only of great historical value, but of great cultural and iconographic interest. Critics and the public are judges who give their opinions on the provocative works that artists present in the international art scene, and in this case as editor I can only state the following, “Camille Ross is a great photographer who with her third eye penetrates reality and presents. Reality and presents it to the public by manipulating it with new media . Here games of nuance, of distortion of the image are the PUNCTUM’S of her new photography. Her photographic research is a new way of contextualizing the female figure in the era of globalization. “The projects the Selfie that we will present in the second volume are, as she explains the elaboration of the self”. As if to emphasize that in her works we perceive the alteration of the “self”, this makes us reflect on the emergence of new technological monsters. In the iconographies we encounter in the pages of the book we notice how the little considered across all ethnic groups, the chase for eternal youth, exaggerated beauty, lead to the death of the self. Thus a lack of self-regard is accentuated. A catalytic and provocative element naturally prevails in these works, which is respect for the human being. Her works refer us to sociology, to the history of man and his existence.